Epir polifonik şarkısı

Epir polifonik şarkısı, güney Arnavutluk ve kuzeybatı Yunanistan'da Arnavutlar, Arumenler, Yunanlar ve etnik Makedonlar arasında uygulanan geleneksel bir halk polifonisi biçimidir.^[1]^[2] Epir polifonik şarkısı, Muotatal bölgesinin yodel şarkıları veya Sardinya'nın Cantu a tenore'si gibi diğer polifonik şarkı çeşitleriyle karıştırılmamalıdır.^[3] Bilim insanları Epir polifonik şarkılarını, ya antik Yunan^[4] ve Trakya-İlirya döneminden^[5] ya da Bizans müziğinden etkilenerek Bizans döneminden kaynaklanan eski bir gelenek olarak kabul ederler.^[6] UNESCO tarafından kültürel miras olarak tanınan Arnavut izopolifonisi, güney Arnavut geleneksel ölü ağıtı olan çok sesli vajtim'de kök saldığı düşünülmektedir.^[7] 1998'den beri Epir çok sesli şarkısını araştırmak, korumak ve tanıtmak amacıyla yürütülen Yunan projesi, 2020 yılında UNESCO Somut Olmayan Kültürel Miras İyi Koruma Uygulamaları Listesi'ne dahil edilmiştir.

Kaynakça

^ Bart Plantenga. Yodel-ay-ee-oooo. Routledge, 2004. 978-0-415-93990-4, p. 87 Albania: "Singers in Pogoni region perform a style of polyphony that is also practised by locals in Vlach and Slav communities [in Albania].
^ Engendering Song: Singing and Subjectivity at Prespa by Jane C. Sugarman,1997,0-226-77972-6,page 356,"Neither of the polyphonic textures characteristic of south Albanian singing is unique to Albanians.The style is shared with Greeks in the Northwestern district of Epirus (see Fakiou and Romanos 1984) while the Tosk style is common among Aromanian communities from the Kolonje region of Albania the so called Faserotii (see Lortat-Jacob and Bouet 1983) and among Slavs of the Kastoria region of Northern Greece (see N.Kaufamann 1959 ). Macedonians in the lower villages of the Prespa district also formerly sang this style "
^ Engendering Song: Singing and Subjectivity at Prespa by Jane C. Sugarman,1997,0-226-77972-6,page 356,A striking counterpart from outside the Balkans is the polyphonic Yodeling of juuzli from the Muotatal region of Switzerland
^ Nitsiakos, Vassilis; Mantzos, Constantinos (2017). "Negotiating Culture: Political Uses of Polyphonic Folk Songs in Greece and Albania". Tziovas, Dimitris (Ed.). Greece and the Balkans: Identities, Perceptions and Cultural Encounters Since the Enlightenment (İngilizce). Taylor & Francis. s. 200. ISBN 978-1-351-93218-9.
^ Shetuni, Spiro J. (10 Ocak 2014). Albanian Traditional Music: An Introduction, with Sheet Music and Lyrics for 48 Songs (İngilizce). McFarland. ISBN 978-0-7864-8630-4.
^ Koço, Eno (2021). Albanian Identity in History and Traditional Performance (İngilizce). Cambridge Scholars Publishing. ss. 113-114. ISBN 978-1-5275-7189-1.
^ Tole, Vasil S. (2022). "Kabaja With Saze as a Ballad Without Words" (PDF). Studia Albanica (2): 43-50. ISSN 0585-5047. pp. 43–45.

[1] Bart Plantenga. Yodel-ay-ee-oooo. Routledge, 2004. 978-0-415-93990-4, p. 87 Albania: "Singers in Pogoni region perform a style of polyphony that is also practised by locals in Vlach and Slav communities [in Albania].

[2] Engendering Song: Singing and Subjectivity at Prespa by Jane C. Sugarman,1997,0-226-77972-6,page 356,"Neither of the polyphonic textures characteristic of south Albanian singing is unique to Albanians.The style is shared with Greeks in the Northwestern district of Epirus (see Fakiou and Romanos 1984) while the Tosk style is common among Aromanian communities from the Kolonje region of Albania the so called Faserotii (see Lortat-Jacob and Bouet 1983) and among Slavs of the Kastoria region of Northern Greece (see N.Kaufamann 1959 ). Macedonians in the lower villages of the Prespa district also formerly sang this style "

[3] Engendering Song: Singing and Subjectivity at Prespa by Jane C. Sugarman,1997,0-226-77972-6,page 356,A striking counterpart from outside the Balkans is the polyphonic Yodeling of juuzli from the Muotatal region of Switzerland

[4] Nitsiakos, Vassilis; Mantzos, Constantinos (2017). "Negotiating Culture: Political Uses of Polyphonic Folk Songs in Greece and Albania". Tziovas, Dimitris (Ed.). Greece and the Balkans: Identities, Perceptions and Cultural Encounters Since the Enlightenment (İngilizce). Taylor & Francis. s. 200. ISBN 978-1-351-93218-9.

[5] Shetuni, Spiro J. (10 Ocak 2014). Albanian Traditional Music: An Introduction, with Sheet Music and Lyrics for 48 Songs (İngilizce). McFarland. ISBN 978-0-7864-8630-4.

[6] Koço, Eno (2021). Albanian Identity in History and Traditional Performance (İngilizce). Cambridge Scholars Publishing. ss. 113-114. ISBN 978-1-5275-7189-1.

[7] Tole, Vasil S. (2022). "Kabaja With Saze as a Ballad Without Words" (PDF). Studia Albanica (2): 43-50. ISSN 0585-5047. pp. 43–45.

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