Lolita modası

Lolita (ロリータ・ファッション rorīta fasshon), Viktorya ve Edward döneminin çocuk giyiminden ve Rokoko döneminden kalma stillerden etkilenen Japonya'daki modanın bir altkültürüdür.^[1]^[2]^[3]^[4]^[5]^[6] Lolita modasının çok belirgin bir özelliği, zarafetin estetiğidir.^[7] Bu giyim alt kültürü üç ana alt stilde kategorize edilebilir: 'gotik', 'klasik' ve 'tatlı'.^[8]^[9]^[10] Ayrıca 'Denizi', 'Kırsal', 'Hime' (prenses), 'Ero', 'Guro', 'Oryental', 'Punk', 'Shiro (beyaz)', Kuro (siyah) ve Steampunk Lolita gibi diğer birçok alt katmanı mevcuttur. Bu giyim tarzı, 1990'larla 2000'lerde Japonya ile diğer ülkelerde oldukça takip edilen yaygın bir altkültüre dönüştü ve daha yaygın hâle gelmesine rağmen 2010'larda Japonya'da azalmaya başladı.^[11]^[12]^[13]^[14]^[15]^[16]^[16]^[17]^[18]

Galeri

Hime Lolita (Misako Aoki)
Klasik Lolita
Geleneksel Lolita
Shiro/Beyaz Lolita (soldaki) ve Kuro/Kara Lolita (sağdaki)
Tatlı Lolita' (Nana Kitade)
Tatlı Lolita
Tatlı Lolita
Kırsal Lolita (Nana Kitade)
Korsan Lolita
Punk Lolita
Guro Lolita (göz bantlı) özellikli Wa-Lolita
Dandy ve Kodona

Kaynakça

^ http://hdl.handle.net/10292/2448 Kathryn A. Hardy Bernal (2011) The Lolita Complex: a Japanese fashion subculture and its paradoxes, Auckland University of Technology, New Zealand, p. 20.
^ M. Monden (2008). "Transcultural Flow of Demure Aesthetics: Examining Cultural Globalisation through Gothic & Lolita Fashion, The Japan Foundation Sydney,". New Voices. Cilt 2. ss. 21-40 [36]. doi:10.21159/nv.02.02.
^ http://scholarworks.gsu.edu/anthro_theses/87/ 11 Ağustos 2017 tarihinde Wayback Machine sitesinde arşivlendi. Chancy J. Gatlin (2014) The Fashion of Frill: The Art of Impression Management in the Atlanta Lolita and Japanese Street Fashion Community, Georgia State University, United States of America, p. 16.
^ https://dx.doi.org/10.4236/aasoci.2012.24034 A. Jiratanatiteenun, C. Mizup.tani, S. Kitaguchi, T. Sato & K. Kajiwara (2012) Habitual Difference in Fashion Behavior of Female College Students between Japan and Thailand, Advances in Applied Sociology, 260-267, p. 261.
^ https://eltalpykla.vdu.lt/1/32351^{[ölü/kırık bağlantı]} A. Haijima (2013) Japanese Popular Culture in Latvia: Lolita and Mori Fashion, University of Latvia, (Letland), p. 32.
^ http://repository.wellesley.edu/thesiscollection/391/ 12 Ağustos 2017 tarihinde Wayback Machine sitesinde arşivlendi. K. Coombes (2016) Consuming Hello Kitty: Saccharide Cuteness in Japanese Society, Wellesley College, United States of America, p. 36.
^ https://dx.doi.org/10.21159/nv.02.02 M. Monden (2008) Transcultural Flow of Demure Aesthetics: Examining Cultural Globalisation through Gothic & Lolita Fashion, The Japan Foundation Sydney, New Voices Volume 2, 21-40, p. 29.
^ Style Spotlight: Gothic Lolita in Belgian Cupcakes Magazine, published by Hilde Heyvaert, vol. 5, 2012.
^ Style Spotlight: Classic Lolita in Belgian Cupcakes Magazine, published by Hilde Heyvaert, vol. 2, 2011.
^ Style Spotlight: Sweet Lolita in Belgian Cupcakes Magazine, published by Hilde Heyvaert, vol. 1, 2011.
^ https://dx.doi.org/10.2752/9781474235327/KAWAMURA0008 Y. Kawamura (2012) Harajuku: The Youth in Silent Rebellion, Bloomsbury Fashion Central, 65-75.
^ https://eltalpykla.vdu.lt/1/32351^{[ölü/kırık bağlantı]} A. Haijima (2013) Japanese Popular Culture in Latvia: Lolita and Mori Fashion, University of Latvia, (Letland), p. 33.
^ http://eprints.utas.edu.au/15944/ 12 Ağustos 2017 tarihinde Wayback Machine sitesinde arşivlendi. S. Abigail Staite (2012) Lolita: Atemporal Class-Play With tea and cakes, University of Tasmania, Australia, p. 75.
^ http://scholarworks.gsu.edu/anthro_hontheses/11/ 11 Ağustos 2017 tarihinde Wayback Machine sitesinde arşivlendi. K. Robinson (2014) Empowered Princesses: An Ethnographic Examination of the Practices, Rituals, and Conflicts within Lolita Fashion Communities in the United States, Georgia State University, p. 53.
^ https://dx.doi.org/10.21159/nv.02.02 M. Monden (2008) Transcultural Flow of Demure Aesthetics: Examining Cultural Globalisation through Gothic & Lolita Fashion, The Japan Foundation Sydney, New Voices Volume 2, 21-40, p. 30.
^ ^a ^b "The Outrageous Street-Style Tribes of Harajuku". BBC. 18 Haziran 2018 tarihinde kaynağından arşivlendi. Erişim tarihi: 13 Haziran 2018.
^ "Japan's Wild, Creative Harajuku Street Style is Dead. Long Live Uniqlo". Quartz. 28 Temmuz 2018 tarihinde kaynağından arşivlendi. Erişim tarihi: 13 Haziran 2018.
^ "What the Hell has Happened to Tokyo's Fashion Subcultures?". Dazed. 13 Haziran 2018 tarihinde kaynağından arşivlendi. Erişim tarihi: 13 Haziran 2018.

[1] ttp://hdl.handle.net/10292/2448 Kathryn A. Hardy Bernal (2011) The Lolita Complex: a Japanese fashion subculture and its paradoxes, Auckland University of Technology, New Zealand, p. 20.

[2] M. Monden (2008). "Transcultural Flow of Demure Aesthetics: Examining Cultural Globalisation through Gothic & Lolita Fashion, The Japan Foundation Sydney,". New Voices. Cilt 2. ss. 21-40 [36]. doi:10.21159/nv.02.02.

[3] ttp://scholarworks.gsu.edu/anthro_theses/87/ 11 Ağustos 2017 tarihinde Wayback Machine sitesinde arşivlendi. Chancy J. Gatlin (2014) The Fashion of Frill: The Art of Impression Management in the Atlanta Lolita and Japanese Street Fashion Community, Georgia State University, United States of America, p. 16.

[4] ttps://dx.doi.org/10.4236/aasoci.2012.24034 A. Jiratanatiteenun, C. Mizup.tani, S. Kitaguchi, T. Sato & K. Kajiwara (2012) Habitual Difference in Fashion Behavior of Female College Students between Japan and Thailand, Advances in Applied Sociology, 260-267, p. 261.

[A._Haijima_(2013)-5] ttps://eltalpykla.vdu.lt/1/32351^{[ölü/kırık bağlantı]} A. Haijima (2013) Japanese Popular Culture in Latvia: Lolita and Mori Fashion, University of Latvia, (Letland), p. 32.

[K._Coombes_(2016)_p._36-6] ttp://repository.wellesley.edu/thesiscollection/391/ 12 Ağustos 2017 tarihinde Wayback Machine sitesinde arşivlendi. K. Coombes (2016) Consuming Hello Kitty: Saccharide Cuteness in Japanese Society, Wellesley College, United States of America, p. 36.

[7] ttps://dx.doi.org/10.21159/nv.02.02 M. Monden (2008) Transcultural Flow of Demure Aesthetics: Examining Cultural Globalisation through Gothic & Lolita Fashion, The Japan Foundation Sydney, New Voices Volume 2, 21-40, p. 29.

[8] Style Spotlight: Gothic Lolita in Belgian Cupcakes Magazine, published by Hilde Heyvaert, vol. 5, 2012.

[9] Style Spotlight: Classic Lolita in Belgian Cupcakes Magazine, published by Hilde Heyvaert, vol. 2, 2011.

[10] Style Spotlight: Sweet Lolita in Belgian Cupcakes Magazine, published by Hilde Heyvaert, vol. 1, 2011.

[Y._Kawamura_(2012)-11] ttps://dx.doi.org/10.2752/9781474235327/KAWAMURA0008 Y. Kawamura (2012) Harajuku: The Youth in Silent Rebellion, Bloomsbury Fashion Central, 65-75.

[A._Haijima_2013_p._33-12] ttps://eltalpykla.vdu.lt/1/32351^{[ölü/kırık bağlantı]} A. Haijima (2013) Japanese Popular Culture in Latvia: Lolita and Mori Fashion, University of Latvia, (Letland), p. 33.

[13] ttp://eprints.utas.edu.au/15944/ 12 Ağustos 2017 tarihinde Wayback Machine sitesinde arşivlendi. S. Abigail Staite (2012) Lolita: Atemporal Class-Play With tea and cakes, University of Tasmania, Australia, p. 75.

[14] ttp://scholarworks.gsu.edu/anthro_hontheses/11/ 11 Ağustos 2017 tarihinde Wayback Machine sitesinde arşivlendi. K. Robinson (2014) Empowered Princesses: An Ethnographic Examination of the Practices, Rituals, and Conflicts within Lolita Fashion Communities in the United States, Georgia State University, p. 53.

[M._Monden_2008_p._30-15] ttps://dx.doi.org/10.21159/nv.02.02 M. Monden (2008) Transcultural Flow of Demure Aesthetics: Examining Cultural Globalisation through Gothic & Lolita Fashion, The Japan Foundation Sydney, New Voices Volume 2, 21-40, p. 30.

[bbc.com-16] "The Outrageous Street-Style Tribes of Harajuku". BBC. 18 Haziran 2018 tarihinde kaynağından arşivlendi. Erişim tarihi: 13 Haziran 2018.

[17] "Japan's Wild, Creative Harajuku Street Style is Dead. Long Live Uniqlo". Quartz. 28 Temmuz 2018 tarihinde kaynağından arşivlendi. Erişim tarihi: 13 Haziran 2018.

[18] "What the Hell has Happened to Tokyo's Fashion Subcultures?". Dazed. 13 Haziran 2018 tarihinde kaynağından arşivlendi. Erişim tarihi: 13 Haziran 2018.

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